bridges_counterpoint:definitions

Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Next revision
Previous revision
bridges_counterpoint:definitions [2017/07/12 04:16] – created brianbridges_counterpoint:definitions [2017/07/18 17:56] (current) brian
Line 9: Line 9:
 ===== Counterpoint ===== ===== Counterpoint =====
  
-Notes were formerly termed //points//. Adding a counterpoint signifies the setting one point or note against another. Counterpoint is of two kinds: simple and double. The latter of these terms, in its ordinary acceptation, comprises convertible counterpoints in three, four, or more parts {//i.e.// triple, quadruple, etc.). Simple counterpoint ((For double counterpoint see Novello's Music Primer, " Double Counterpoint and Canon " by the same author.)) includes five species or orders, i.e. five methods of adding a counterpoint to a //cantus firmus//. The term "florid counterpoint" is generally applied to the fifth species.+Notes were formerly termed //points//. Adding a counterpoint signifies the setting one point or note against another. Counterpoint is of two kinds: simple and double. The latter of these terms, in its ordinary acceptation, comprises convertible counterpoints in three, four, or more parts {//i.e.// triple, quadruple, etc.). Simple counterpoint ((For double counterpoint see Novello's Music Primer, "Double Counterpoint and Canon" by the same author.)) includes five species or orders, //i.e.// five methods of adding a counterpoint to a //cantus firmus//. The term "florid counterpoint" is generally applied to the fifth species.
  
 Concords ((consonances)) are the octave (or unison) and perfect fifth (termed //perfect concords//), and the major and minor sixth and third (termed //imperfect concords//). All other intervals in counterpoint are discords ((dissonances)), including the perfect fourth when it exists between the lowest and one of the upper parts. Concords ((consonances)) are the octave (or unison) and perfect fifth (termed //perfect concords//), and the major and minor sixth and third (termed //imperfect concords//). All other intervals in counterpoint are discords ((dissonances)), including the perfect fourth when it exists between the lowest and one of the upper parts.
  
-**Previous:** [[bridges_counterpoint:introductory_observations|Introductory Observations]] | Next: [[bridges_counterpoint:simple_counterpoint|Chapter 1]]+^  Navigation  ^^^ 
 +|  << [[bridges_counterpoint:introductory_observations|Introductory Observations]]   [[bridges_counterpoint:contents|Contents]]  |  [[bridges_counterpoint:simple_counterpoint|Chapter 1]] >>  |
  • bridges_counterpoint/definitions.1499832977.txt.gz
  • Last modified: 2017/07/12 04:16
  • by brian