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| bridges_counterpoint:eight_part_counterpoint_for_two_choirs_etc [2017/07/26 18:03] – created brian | bridges_counterpoint:eight_part_counterpoint_for_two_choirs_etc [2017/07/26 20:01] (current) – brian |
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| {{ :bridges_counterpoint:15-ex128.mp3 | :bridges_counterpoint:15-ex128.ogg |}} | {{ :bridges_counterpoint:15-ex128.mp3 |:bridges_counterpoint:15-ex128.ogg |}} |
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| > In counterpoint for a double choir, the progression given in Ex. 123 (see [[bridges_counterpoint:counterpoint_in_five_or_more_parts|Chapter 14]]) is very useful, as can be seen in the //Basses// of the above example. | > In counterpoint for a double choir, the progression given in Ex. 123 (see [[bridges_counterpoint:counterpoint_in_five_or_more_parts|Chapter 14]]) is very useful, as can be seen in the //Basses// of the above example. |
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| {{ :bridges_counterpoint:15-ex129.mp3 | :bridges_counterpoint:15-ex129.ogg |}} | {{ :bridges_counterpoint:15-ex129.mp3 |:bridges_counterpoint:15-ex129.ogg |}} |
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| > In bar 8 of Ex. 129, a suspended seventh is heard together with the sixth, the latter //not// being "of the character of a passing note" (as was mentioned regarding Ex. 118 in [[bridges_counterpoint:counterpoint_in_five_or_more_parts|Chapter 14]]) ((The [dissonant combination of a suspension with its own resolution] should not be used in less than seven or eight parts, and the anticipation of the resolution should be by conjunct movement, and generally of the character of a passing note.)); the two notes, however, are separated by so large an interval, and accompanied by so many parts, that they may readily be allowed. | > In bar 8 of Ex. 129, a suspended seventh is heard together with the sixth, the latter //not// being "of the character of a passing note" (as was mentioned regarding Ex. 118 in [[bridges_counterpoint:counterpoint_in_five_or_more_parts|Chapter 14]]) ((The [dissonant combination of a suspension with its own resolution] should not be used in less than seven or eight parts, and the anticipation of the resolution should be by conjunct movement, and generally of the character of a passing note.)); the two notes, however, are separated by so large an interval, and accompanied by so many parts, that they may readily be allowed. |