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--- bridges_counterpoint:fifth_species_in_two_parts [2017/07/17 19:07] – created brian
+++ bridges_counterpoint:fifth_species_in_two_parts [2017/07/27 17:34] (current) – brian
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 ==== Florid Counterpoint ====
-==== Rules 1-5 ====
 This is a mixture of the various kinds of counterpoint explained. In addition to the notes already employed, quavers ((eighth notes)) are admitted, which should succeed each other, and also be approached and quitted, diatonically, and by conjunct movement. More than two quavers are rarely used in one bar, though occasionally four may be met with. They should always occur at the second or fourth divisions of the bar (//i.e.// the unaccented portions), and four quavers should never be taken in succession. As in the other species in two parts, the counterpoint commences after a crotchet ((quarter)) or minim ((half)) rest. The first note of the counterpoint must be a perfect concord ((consonance)).
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 The best cadences are those used in the fourth species, with or without ornamental resolutions. Others, particularly those employed in the third species, are occasionally used.
+===== Musical Examples =====
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 ^  Navigation  ^^^
 |  << [[bridges_counterpoint:fourth_species_in_two_parts|Chapter 4]]  |  [[bridges_counterpoint:contents|Contents]]  |  [[bridges_counterpoint:first_species_in_three_parts|Chapter 6]] >>  |