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bridges_counterpoint:second_species_in_two_parts [2017/07/24 15:18] – brian | bridges_counterpoint:second_species_in_two_parts [2022/02/15 19:43] (current) – brian | ||
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Occasionally in the carrying out of a sequence, or to secure a flowing counterpoint, | Occasionally in the carrying out of a sequence, or to secure a flowing counterpoint, | ||
- | The immediate repetition of a note is forbidden in this and all species except" | + | The immediate repetition of a note is forbidden in this and all species |
==== Rules 6-10 ==== | ==== Rules 6-10 ==== | ||
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The unison is still to be avoided except at the first and last bars, though it may be used occasionally at the second part of the bar. | The unison is still to be avoided except at the first and last bars, though it may be used occasionally at the second part of the bar. | ||
- | Similar perfect concords (//i.e.// two fifths or octaves) on the accented beats of successive bars should not be used, the effect of consecutives being too apparent ((The underlying first-species counterpoint reveals parallel perfect intervals.)). Even on successive unaccented beats the use of these combinations is not recommended. Some authors permit the former if the inter mediate | + | Similar perfect concords (//i.e.// two fifths or octaves) on the accented beats of successive bars should not be used, the effect of consecutives being too apparent ((The underlying first-species counterpoint reveals parallel perfect intervals.)). Even on successive unaccented beats the use of these combinations is not recommended. Some authors permit the former if the intermediate |
The parts may occasionally cross at the unaccented part of the bar in this and the other species of counterpoint yet to be explained. | The parts may occasionally cross at the unaccented part of the bar in this and the other species of counterpoint yet to be explained. |