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--- bridges_counterpoint:simple_counterpoint [2017/07/13 04:47] – Added the rest of the images and audio brian
+++ bridges_counterpoint:simple_counterpoint [2018/01/18 19:46] (current) – minor typo brian
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 > //Note:// The term "diminished" here includes the fifths and fourths sometimes called imperfect or minor.
-{{ :bridges_counterpoint:01-ex02a.png?300 |}} {{ :bridges_counterpoint:01-ex02b.png?300 |}}
+{{ :bridges_counterpoint:01-ex02a.png?300 |}}
-{{ :bridges_counterpoint:01-ex02a.mp3 | :bridges_counterpoint:01-ex02a.ogg |}} {{ :bridges_counterpoint:01-ex02b.mp3 | :bridges_counterpoint:01-ex02b.ogg |}}
-Consecutive perfect concords are of course forbidden, as are also hidden consecutives, //i.e.// the progression by similar motion to a perfect concord. The rule with regard to hidden consecutives is, however, sometimes relaxed: in the case of the octave if the upper part is approached by a semitone (Ex. 3, //a//), and in the case of the fifth if the hidden fifth be diminished. This is also produced by one part moving a semitone (Ex. 3, //b//), but this progression is hardly admissible in two-part counterpoint.
+{{ :bridges_counterpoint:01-ex02a.mp3 | :bridges_counterpoint:01-ex02a.ogg |}}
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+{{ :bridges_counterpoint:01-ex02b.mp3 | :bridges_counterpoint:01-ex02b.ogg |}}
+Consecutive perfect concords ((Parallel perfect intervals)) are of course forbidden, as are also hidden consecutives, //i.e.// the progression by similar motion to a perfect concord. The rule with regard to hidden consecutives is, however, sometimes relaxed: in the case of the octave if the upper part is approached by a semitone (Ex. 3, //a//), and in the case of the fifth if the hidden fifth be diminished. This is also produced by one part moving a semitone (Ex. 3, //b//), but this progression is hardly admissible in two-part counterpoint.
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+===== Musical Examples =====
 The following are examples of two-part counterpoint, first species:
 {{ :bridges_counterpoint:01-ex14.png?725 |}}
 {{ :bridges_counterpoint:01-ex14.mp3 | :bridges_counterpoint:01-ex14.ogg |}}
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-===== Observations on Examples 14-10 =====
+===== Observations on Examples 14-20 =====
-**Ex. 14**: The four bars at a answer the first four effectively, and the sequence at //b// is good. The sequential form of the counterpoint justifies the somewhat too frequent octaves.
+**Ex. 14**: The four bars at //a// answer the first four effectively, and the sequence at //b// is good. The sequential form of the counterpoint justifies the somewhat too frequent octaves.
 **Ex. 15**: The leading-tone descends effectively at //a//.
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 **Ex. 20**: This //cantus firmus// begins on the dominant. If the counterpoint were placed above, it would begin on G or D. With the counterpoint below, it is possible in this case to commence //with a fifth//, notwithstanding par. 2, which refers to //Canti Firmi// beginning (as is usual) on the tonic.
-> The student should write similar examples in each species on some of the //canti firmi// given on page 80. :?: In doing this he should use such clefs as will bring the parts tolerably near together. He is also earnestly advised to write his exercises in open score, //i.e.// giving a separate line to each part. The progression of the individual parts — such an important consideration in counterpoint — will thus be readily seen.
+> The student should write similar examples in each species on some of the //canti firmi// given on [[bridges_counterpoint:canti_firmi_for_exercises|Appendix 1]]. In doing this he should use such clefs as will bring the parts tolerably near together. He is also earnestly advised to write his exercises in open score, //i.e.// giving a separate line to each part. The progression of the individual parts — such an important consideration in counterpoint — will thus be readily seen.
 ^  Navigation  ^^^
-|  << [[bridges_counterpoint:definitions|Definitions]]  |  [[:bridges_counterpoint|Contents]]  |  [[bridges_counterpoint:second_species_in_two_parts|Chapter 2]] >>  |
+|  << [[bridges_counterpoint:definitions|Definitions]]  |  [[bridges_counterpoint:contents|Contents]]  |  [[bridges_counterpoint:second_species_in_two_parts|Chapter 2]] >>  |