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cherubini_counterpoint_and_fugue:on_double_counterpoint:inversion_at_the_octave [2018/08/10 16:22]
brian created
cherubini_counterpoint_and_fugue:on_double_counterpoint:inversion_at_the_octave [2018/08/10 16:23] (current)
brian
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 > 1st manner: Invert the counterpoint an octave, from higher to lower > 1st manner: Invert the counterpoint an octave, from higher to lower
  
-{{ :​cherubini_counterpoint_and_fugue:​ex162a-1.png?​600 |}}+{{ :​cherubini_counterpoint_and_fugue:​ex162a-1.png?​620 |}}
  
 {{ :​cherubini_counterpoint_and_fugue:​ex162a.mp3 | :​cherubini_counterpoint_and_fugue:​ex162a.ogg |}} {{ :​cherubini_counterpoint_and_fugue:​ex162a.mp3 | :​cherubini_counterpoint_and_fugue:​ex162a.ogg |}}
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 > 2nd manner: That the counterpoint may be at the fifteenth, it must be inverted thus, a fifteenth lower > 2nd manner: That the counterpoint may be at the fifteenth, it must be inverted thus, a fifteenth lower
  
-{{ :​cherubini_counterpoint_and_fugue:​ex162b-1.png?​600 |}}+{{ :​cherubini_counterpoint_and_fugue:​ex162b-1.png?​620 |}}
  
 {{ :​cherubini_counterpoint_and_fugue:​ex162b.mp3 | :​cherubini_counterpoint_and_fugue:​ex162b.ogg |}} {{ :​cherubini_counterpoint_and_fugue:​ex162b.mp3 | :​cherubini_counterpoint_and_fugue:​ex162b.ogg |}}
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 > 3rd manner: Transpose the theme an octave higher, and the counterpoint an octave lower > 3rd manner: Transpose the theme an octave higher, and the counterpoint an octave lower
  
-{{ :​cherubini_counterpoint_and_fugue:​ex162c-1.png?​600 |}}+{{ :​cherubini_counterpoint_and_fugue:​ex162c-1.png?​620 |}}
  
 {{ :​cherubini_counterpoint_and_fugue:​ex162c.mp3 | :​cherubini_counterpoint_and_fugue:​ex162c.ogg |}} {{ :​cherubini_counterpoint_and_fugue:​ex162c.mp3 | :​cherubini_counterpoint_and_fugue:​ex162c.ogg |}}
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 > 4th manner: Transpose the theme an octave higher, while the counterpoint remains in its place > 4th manner: Transpose the theme an octave higher, while the counterpoint remains in its place
  
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 {{ :​cherubini_counterpoint_and_fugue:​ex162d.mp3 | :​cherubini_counterpoint_and_fugue:​ex162d.ogg |}} {{ :​cherubini_counterpoint_and_fugue:​ex162d.mp3 | :​cherubini_counterpoint_and_fugue:​ex162d.ogg |}}
  
 Before passing to another kind, it is essential to observe that the discord of the ninth cannot be employed in double counterpoint at the octave because it cannot be inverted. Double counterpoint at the octave is one of the counterpoints most used. Before passing to another kind, it is essential to observe that the discord of the ninth cannot be employed in double counterpoint at the octave because it cannot be inverted. Double counterpoint at the octave is one of the counterpoints most used.
  • cherubini_counterpoint_and_fugue/on_double_counterpoint/inversion_at_the_octave.txt
  • Last modified: 2018/08/10 16:23
  • by brian