This shows you the differences between two versions of the page.
| |
| cherubini_counterpoint_and_fugue:on_imitation:third_section [2018/08/07 16:23] – created brian | cherubini_counterpoint_and_fugue:on_imitation:third_section [2018/08/10 20:56] (current) – brian |
|---|
| ====== On Imitation ====== | ====== On Imitation ====== |
| ===== Third Section - Imitations in Three and in Four Voices ===== | ===== Third Section: Imitations in Three and in Four Voices ===== |
| |
| All the kinds of imitation mentioned in the two preceding sections may be treated in three, four, and even a larger number of parts. [[wp>Francesco_Azopardi|Azzopardi]], a Maltese composer, made use of two given subjects, upon which it is good practice to write all sorts of imitations, either in an interval above, or in an interval below. This method may first be pursued; it can be nothing other than extremely advantageous in the study of imitations, and will help the pupil in his labor. | All the kinds of imitation mentioned in the two preceding sections may be treated in three, four, and even a larger number of parts. [[wp>Francesco_Azopardi|Azzopardi]], a Maltese composer, made use of two given subjects, upon which it is good practice to write all sorts of imitations, either in an interval above, or in an interval below. This method may first be pursued; it can be nothing other than extremely advantageous in the study of imitations, and will help the pupil in his labor. |