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| cherubini_counterpoint_and_fugue:two_part_counterpoint:first_order [2022/02/08 19:06] – typo brian | cherubini_counterpoint_and_fugue:two_part_counterpoint:first_order [2022/02/10 19:58] (current) – brian |
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| By the aid of these corrections, the relation is partly, or entirely veiled. In the other orders of counterpoint, as will be seen, it is easier, than in this one, to avoid the false relations of tritone. | By the aid of these corrections, the relation is partly, or entirely veiled. In the other orders of counterpoint, as will be seen, it is easier, than in this one, to avoid the false relations of tritone. |
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| It notw remains to be demonstrated, how and why the tritone is a false relation in harmony. What I am about to state, applies equally to two-part counterpoint, as to that in several parts, and I here subjoin this demonstration in order not to have occasion hereafter for mentioning it with so much detail. | It now remains to be demonstrated, how and why the tritone is a false relation in harmony. What I am about to state, applies equally to two-part counterpoint, as to that in several parts, and I here subjoin this demonstration in order not to have occasion hereafter for mentioning it with so much detail. |
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| In order therefore to explain the course of this false relation, I take the major common chord of G, which I cause to be immediately succeeded by that of F:-- | In order therefore to explain the course of this false relation, I take the major common chord of G, which I cause to be immediately succeeded by that of F:-- |