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cherubini_counterpoint_and_fugue:two_part_counterpoint:second_order [2018/06/16 16:57] – brian | cherubini_counterpoint_and_fugue:two_part_counterpoint:second_order [2020/01/28 21:08] (current) – brian | ||
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==== Rule 9 ==== | ==== Rule 9 ==== | ||
- | In this order of counterpoint, | + | In this order ((species)) |
The first part of the bar which is occupied by a minim ((half note)), is called the //accented part of the bar//; and the second part occupied equally by another minim ((half note)), is called the // | The first part of the bar which is occupied by a minim ((half note)), is called the //accented part of the bar//; and the second part occupied equally by another minim ((half note)), is called the // | ||
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{{ : | {{ : | ||
- | Note in Example 48a, at the passage marked with an asterisk, that instead of placing the discord ((dissonance)) in the unaccented part of the bar, according to Rule 10, it is placed in the accented portion. As I have asserted that this method may be employed, I have introduced it here, expressly, for the sake of giving an example. I might have contrived differently; | + | Note in Example 48a, at the passage marked with an asterisk, that instead of placing the discord ((dissonance)) in the unaccented part of the bar, according to Rule 10, it is placed in the accented portion. As I have asserted that this method may be employed, I have introduced it here, expressly, for the sake of giving an example. I might have contrived differently; |