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cherubini_counterpoint_and_fugue:two_part_counterpoint:second_order [2018/06/16 17:59]
brian
cherubini_counterpoint_and_fugue:two_part_counterpoint:second_order [2020/01/28 21:08] (current)
brian
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 {{ :​cherubini_counterpoint_and_fugue:​ex048b.mp3 | :​cherubini_counterpoint_and_fugue:​ex048b.ogg |}} {{ :​cherubini_counterpoint_and_fugue:​ex048b.mp3 | :​cherubini_counterpoint_and_fugue:​ex048b.ogg |}}
  
-Note in Example 48a, at the passage marked with an asterisk, that instead of placing the discord ((dissonance)) in the unaccented part of the bar, according to Rule 10, it is placed in the accented portion. As I have asserted that this method may be employed, I have introduced it here, expressly, for the sake of giving an example. I might have contrived differently;​ but, by putting the discord ((dissonance)) in the accented part of the bar, I obtain a more free and elegant melody; and this os one of the objects which may justify this infringement of the rule. In the course of studying, the pupil will meet with other cases in which this method may be employed. Upon going through these examples, it will be seen how the counterpoint should proceed, to be in conformity with all the rules, and to have the melody easy, as well as in the style which suits with this kind of composition. ​+Note in Example 48a, at the passage marked with an asterisk, that instead of placing the discord ((dissonance)) in the unaccented part of the bar, according to Rule 10, it is placed in the accented portion. As I have asserted that this method may be employed, I have introduced it here, expressly, for the sake of giving an example. I might have contrived differently;​ but, by putting the discord ((dissonance)) in the accented part of the bar, I obtain a more free and elegant melody; and this is one of the objects which may justify this infringement of the rule. In the course of studying, the pupil will meet with other cases in which this method may be employed. Upon going through these examples, it will be seen how the counterpoint should proceed, to be in conformity with all the rules, and to have the melody easy, as well as in the style which suits with this kind of composition. ​
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  • Last modified: 2018/06/16 17:59
  • by brian