Show pagesourceOld revisionsBacklinksBack to top Share via Share via... Twitter LinkedIn Facebook Pinterest Telegram WhatsApp Yammer Reddit TeamsRecent ChangesSend via e-MailPrintPermalink × Table of Contents A Treatise on Counterpoint and Fugue, by Luigi Cherubini Table of Contents Extended Examples, Analysed Throughout This is an old revision of the document! A Treatise on Counterpoint and Fugue, by Luigi Cherubini Table of Contents Title Page Memoir of Cherubini Introduction on Counterpoint Preliminary Propositions Two-Part Counterpoint Three-Part Counterpoint Four-Part Counterpoint Counterpoint in Five, Six, Seven, and Eight Real Parts On Imitation On Double Counterpoint On Fugue On Counter-Subject, Stretto, and Pedal On Tonal and Real Fugues On Fugue of Imitation On Coda in Fugue On Digression and Modulation Extended Examples, Analysed Throughout Real Fugue in Two Parts Real Fugue in Two Parts - Example Two Tonal Fugue in Two Parts Real Fugue in Three Parts Tonal Fugue in Three Parts Tonal Fugue in Four Parts, with One Counter-Subject Tonal Fugue in Four Parts, with Two Counter-Subjects Chromatic Fugue in Four Parts, with Three Counter-Subjects Tonal Fugue in Eight Parts Real Fugue in Eight Parts Given Subjects or Lessons to Serve as Basses in Strict Counterpoint Basses for Counterpoint in Eight Parts and Two Choirs cherubini_counterpoint_and_fugue/contents.1528862622.txt.gz Last modified: 2018/06/13 04:03by brian