On Fugue
On Coda in Fugue
The coda is that portion of the Subject
, by which it is continued after its second compartment; and which serves, at the same time, to prepare the entrance of the response, and to bring the Counter-Subject
.
There are cases where the Coda
itself becomes the commencement of the Counter-Subject
, and so intimately joins with this latter, as that the Coda
and the Counter-Subject
form an undistinguished whole.
Here is another example of the same kind, in four voices, by Padre Angelo Predieri:
In modern fugues, it is the habit to prolong the Coda
of the Response
, before the Subject
re-enters; this plan is wise, and should be maintained. It has the double advantage of causing the re-entrance of the subject to be desired, and of the imparting variety to the composition, by breaking the monotony of subjects and responses too closely brought in; it contributes to the elegance and good conducting of a fugue, and it may also furnish an additional theme to the imitations and digressions. This applies to every kind of fugue, whatever its number of parts.
Example of a second attach of the subject immediately after the response without the coda:
Example with the coda:
It will be seen here, that the latter example has the advantage; and that the intervention of the coda, between the response and the Re-Entrance
of the subject, has a very good effect.